Book videos


petabyte-storage

petabyte-storage

The July 2008 issue of Wired has a thought provoking article by Chris Anderson entitled The Petabyte Age.  A petabyteis an unimaginably large amount of data - 1,000 terabytes or a quadrillion bytes.  The article catalogs a number of important applications using datasets measured in petabytes; everything from agriculture to politics.  Anderson has asserted that the availability of these huge datasets is lessening our reliance on the predictive value of theory and mathematical / statistical models.  Models have an elegant and convenient compactness, but often a limited predictive ability.  “Big data” closes the predictive gaps if you have the storage and processing power to manipulate and make sense of it.

The Petabyte Age is the natural outcome of three “laws” (ahem, recall those compact models).  These are Moore’s Lawwhich governs the growth in computer processing power; Kryder’s Law which predicts hard disk storage cost per unit of information; and Butter’s Law which measures the capacity of the fiber optic network underpinning the Internet.  These laws are synergistic - processing power can be greatly amplified by hooking servers and PCs together in computing networks; storage can be extended via disk arrays; and huge datasets can be accessed over high speed, high capacity fiber optic networks. 

So all this discussion of “Big Data” got me thinking: The whole bibliosphere could be radically changed.

  • Authors could tap into gigantic databases to do incredibly detailed research on people and places.  Novelists could scan the entire body of literature to see where “story gaps” might exist to be exploited. 
  • Publishers could track readership trends based on accumulated book sales data and accurately predict the success or failure of any book prior to its publication.   
  • Readers could go to their favorite online bookstore get a pinpoint recommendations based upon analyses of buying histories, correlated with with behvaioral, demographic and psychographic profiles. 

But the one thing that probably won’t change is the way we package all the new knowledge that “peta processing” delivers?  We will likely use the same book size packets - whether in print or electronic form - we use today.  Why?

brain-processing

brain-processing

The book is the anti-petabyte.  It is perfectly tuned to the human mind.  Stories are how we make sense of things.  Our brains are confronted by petabytes of raw data during our lives; yet the memories we create out of that torrent can be squeezed into a terabyte or two.  The stories we tell - whether of fact or fiction - represents the imprecise model, the compact and convenient approximations that leave us wanting more.  Biologists tell us that this filtering is the core of our success as a species. 

I can marvel at the power of Big Data and Cloud Computing.  But being human, I will always believe the real power lies in the Little Story.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer in book video production, marketing and distribution for authors and publishers.


Wall Street Journal mastheadIf you read The Wall Street Journal then you may have seen the article that came out over this past weekend called Watch this Book. It discusses how authors are using book videos to gain the attention of the YouTube crowd.  Since my company, Circle of Seven Productions, is mentioned in the article and I was interviewed for it, I wanted to expand on that article with my own point of view.

First, let’s look at what was not said.

Book trailers and other types of book video are not solely created to sell books. There are other reasons to have a book video that were not addressed in the article.  Of course, if the author of the article addressed all the aspects of book trailer utilization the article would take up an entire page.  She focused on what she felt was the hook of her story and I certainly don’t begrudge her that.

Here are examples of how book trailers can be used:

  • Generate momentum for the first week of sales in order to make bestseller lists. This is something that’s been done successfully on several occasions. 
  • Establish branding. 
  • Appeal to new target audiences by highlighting cross genre aspects of the book.
  • Reach out to young people who are making them in school for an English class.
  • Gain the attention of those young adults who spend so much time online.  In this respect, book trailers help the publishing industry compete with movies, television, music and video games.

Book video is a tool that the entire industry can use to reach out in a way that is cool to young people. Reach out and show them how fun reading is. Reach out and remind them how wonderful stories are when you apply your own imagination. Reach out and create new readers. Thinking of the book video only as a sales tool is limiting and short-sighted.

Next, let’s talk about the dignity issue.

videographerThe article indicates that many authors feel they must compromise their dignity to have a video made. That simply isn’t true.  The type and style of book video you choose to do is governed by the message you want to convey.  If you feel that your brand is a high-brow literary piece then you should do an author interview or reading and target those people you think will be interested in your book. If you write fiction that you feel would be of interest to people who love action, entertainment or a visual medium then have a trailer made.  I might sacrifice some things for my art, but not my dignity. Nor my self respect. I have a trailer, I’m proud of my trailer and I will certainly do it again.  In summary, if you have a book that you feel will be compromised by doing a video then don’t do it.

Finally, there were other excellent book video producers that were not mentioned in the article.  These producers have been around much longer and have created many more videos with publishers than TurnHere.  Circle of Seven Productions has been producing book trailers since 2002. We did not spring up in response to the trend as the article would lead you to believe. We helped to create the trend; and YouTube and MySpace can take credit for the huge jump in book video popularity as well. In 2002 when we Googled the term “book trailer” we got nothing back. Google it today and see what you get.  This is not a new trend or a new idea. VidLit has been doing book video with a very unique style since 2004. ExpandedBooks does top quality author interviews and has also been around for that long. There have been many more producers that have come and gone over the years.

romance-novel-tv logoOther organizations such produce book videos.  Reader’s Entertainment TV has author interviews, book trailers, original shows and behind the scenesreporting at conventions.  In addition, there are several online book tv platforms including C-SPAN’s booktv.org and Romance Novel TV, both of which enjoy a huge following.

Book video has found a place in the book publishing industry. And if the industry embraces it, like HarperCollins with over 500 author interviews, book video has the potential to help grow readership. Move over Star Wars movie, for that same price I can read the book and get double the entertainment hours out of it!


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers.


According to the Pew/Internet Project findings, 3 of 4 young adults (73%) on the internet watch or download video.  Half of young internet users say they watch YouTube.  Many post videos to blogs and even more will forward on a link in email. They’re online socializing, researching (school and education), playing games or getting news.Publishers know that teens are online and most have outstanding website offerings that are fun, interesting and interactive.  A great outreach to young people was a Blogfest that Simon & Schuster did and of course other publishers have similar offerings for young people of varied ages.

young filmmakerLately, schools and libraries have looked to engage younger readers as well by using book trailers. Sara Kajder wrote in the Educational Leadership magazine for ASCD (Association for Supervision and Curriculum Development) an article entitled “The Book Trailer: Engaging Teens Through Technology.”  This article is amazing and outlines how using book trailers help students who are struggling readers and helps them to be more engaged in the stories they are reading.  The points the author brings up, viewed strictly from an educator’s perspective, was very enlightening.

Libraries are getting into it too!  The Tucson-Pima Library is just one of many that we discovered using book trailers.  You can see how involved they are and the wonderful outreach they extend to young people on their book trailer site.

Young ReaderBook trailers are more than just promotional tools for a book.  They have a greater outreach and greater potential to show young people that books are exciting.  The publishing industry as a whole have this incredible opportunity to build tomorrow’s readership.  Publishers should reach out to high schools and libraries and sponsor book trailer contests.  This can build the confidence level of students who are struggling.  It can create an atmosphere of acceptance where books are not just for book worms anymore.  Cool kids read and make book trailers!  Cool kids read.  Pass it on.

Reaching out to young people through a digital medium in order to encourage reading isn’t a new idea.  But, it is an ever-expanding idea with more and more opportunities to engage young people and create new readers using new media.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers.


There are two ways to get video promotion for your book.

  1. You can create a book video that is meant to be entertaining and place it on user-generated video upload sites such as YouTube or MySpace. From there you hope others will see it and then share it with friends, thus making it viral.
  2. You can create a book video ad and pay for placement.

Your video is going to look different, perform differently and be viewed differently according to where you place the video.

Viral videos, those that are made and uploaded for free to social media sites have to have an element of entertainment to them. Social media sites are meant to be “social”, they are not meant to be advertisement platforms. The argument can be, and has been, made that all book video are ads.  Keep in mind that all music videos are ads as well.  Yet, it is easy to forget that and look at music videos as an entertainment or art form.  Book videos should have an element of entertainment to them if you want them to go viral.

How do you make an ad entertaining? First of all you want it to NOT look like a commercial. If you make it 15 or 30 seconds long it is going to look like and acts like a commercial. People on social media sites are becoming more and more savvy. They will look at that and know that you just can’t afford proper placement of your commercial so you’re trying to fool them into thinking it’s entertainment, or that you don’t care that you just tricked them into watching a commercial.

Like a music video, you need to have a story. People want to know what the story is. You can’t make general statements or claims such as, “This is the greatest story ever told” or “An epic love story unfolds within a mystery” and think that’s going to impress people. You can say those things in your video, but you had best follow it up with telling people what the story is actually about. Include exciting and/or appropriate elements such as music, narration or text, enticing visuals, etc. Make it worth the viewer’s time to watch it.

Viral videos = entertainment = appropriate to place on social media sites

viral video adBook video ads are meant to be more informative and factual. People know it is an ad. People know that ads try to sell you something. People are used to seeing ads. Your ad still should be exciting or enticing, but it is going to be brief. The briefer, the better. Most ads are 15 or 30 seconds long.

Book video ads are placed in areas where people know they are ads. You can pay for placement on sites like VideoEgg, YouTube (if you can afford it), Viddler or anywhere that allows video ads. They can also play on television or out-of-home advertising. Book video ads should get to the point right away.

A book video ad should concentrate efforts toward a single message. The message can focus on who the author is, which is an advantage if the author is already well known. The message can focus on the storyline if the author is not well known, but the story has a good hook, or current, relative message.

Monitoring the effectiveness of a book video.

Many people are under the impression that the number of views are the greatest measurement of effectiveness for video. That is not true. But, CPM is a well-known, accepted way of charging for ad placement with the number of views being a focal point. The shift for online marketing needs to, and is in many areas, move away from impressions to engagement. It is the engagement of an ad that is most likely to result in an actual sale.

Troy YoungOne of the most respected companies that deals in online video, both with ads and viral video, is VideoEgg. YouTube often follows their lead, as do many other video companies. Here you will find a link to a valuable bit of information discussed by VideoEgg CMO, Troy Young

Be sure to read the description next to the video.  This is very helpful in understanding where the future of video ads is going.

Impressions to Engagement- Troy Young, CMO VideoEgg

Impressions & engagementThe great thing about VideoEgg’s idea with the rollover/expand option is that the video will still play, but the expanding information would allow graphics and text. Here you could have a picture of the book cover and/or author photo or even photos to represent the storyline of the book. You can also have the back cover copy of something similar, which appeals to traditional readers. The drawback to this is that it is an ad and you have to pay for it. The up-side is that it is pay-per-engagement and not impressions. So, you only pay when someone is motivated enough to click on the ad and activate it.

If you are going to go the route of a rollover/expand ad I strongly suggest not using the author’s name as the primary enticement to engage. If it is a well known author then you’re going to get clicks from fans. You don’t need to advertise to fans. You can get to that target audience through easier, less expensive ways. My recommendation is to have the storyline itself be the enticement.

Whether you decide to try a viral video or a book ad it is important to know the difference. It is important to realize that you can’t mix those medias and expect a successful campaign. You need to know what your goal is when you have a video created.  Let that goal guide you in whether or not you’re going to go with a viral video or an ad.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers.


There is a lot going on with digital video these days.  For example, new technology that embeds live links throughout a video, YouTube distribution tricks and successful new distribution sites that can give your video increased exposure.Live links embedded in a video is relatively new - at least in the way our company, Circle of Seven Productions, is using them.  The links can be embedded wherever the retailer, author or publisher wants them and provide access to additional information.  You can view a samplethat uses three links within the video.  Just follow the instructions at this site.  The added dimension this provides the viewing experience almost guarantees that embedded links will be the wave of the future.  (This video will be featured on the Borders Media site in a couple of weeks.)YouTube logoCOS has started doing industry news once a week on YouTube.  Our intention was to keep the news program available for 48 hours and then take it down to encourage viewers to subscribe to our YouTube book trailers feature  (http://www.youtube.com/booktrailers).  However, we had so many people ask us to leave it in place, we felt compelled to honor their request.  Our first video blog or vlog, focuses on using live links within YouTube videos. You can see a pattern emerging here and there’s a reason for that. People want more engagement. They want more from their online experience. Live links give them more to do and see. Historically, YouTube did not allow live links. Most social media sites don’t either.  But, we discovered a couple of weeks ago that YouTube had changed their policy and was allowing the links. (Whether this is an oversight or an evolution is yet to be seen.)  Regardless, if you upload video to YouTube you can include the “http://” at the beginning of your URL in the description area of the upload and it will become a live link when you save. This is great because you can now direct viewers to your website and to a place where they can buy your book. Perfect for the impulse buyer!Revver.com logoI had planned on talking about utilizing RSS feeds to extend your distribution, but I had been using the Revver.com RSS feeds. They are very easy to work with. But, a few days ago I heard that Revver went up for sales and it’s looking grim. It’s a great site, just not assertive enough with ad shares and incomes. So, I’m now shopping around for another site with easy to use RSS feeds. I can recommend a new site though.  It’s FastClips.com

cell phone videoFastClips.com is in its infancy, actually still in early beta stage, but if the site can generate enough revenue to stay afloat this year, I expect it will be a huge success.  They have something rather unique. Their videos will be viewable through all portable devices. Their mobile video is like nothing I’ve ever seen.  Being a beta tester for the site, I was able to check out the mobile feature on my Smart Phone. The thing that sets them apart from other mobile video offerings, is their ability to offer different sizes and formats to the end user before the video plays.  Many sites can send to mobile for a particular type of phone.  FastClips is set up so that any video-enabled phone can use play their videos.  I also found that the video was pretty clear despite its small size.

wall of TV screensUtilization of book video continues to grow as the technology advances.  Mobile phones, RSS feeds, and new distribution opportunities abound.  If such features continue to emerge at this rate, it will become harder for publishers and retailers to justify other types of advertising.  For just $75 we can upload a book video to over 1,000 online sites.  It is easy to see the potential of numbers like that.  Consider this example. If the top 10 upload sites show your video 1,000 times each and the other 990 sites only show it only 50 times each, that’s still 49,500 exposures. And bear in mind these are very low estimates.  Even better, online viewers are individuals who have chosen to watch your video.  This makes them more likely to become a customer. 

By contrast, you could pay $5,000 for a television ad that reaches roughly one million people.  But how many of those people will be watching the moment your ad is played? And of those who do, how many will actually pay attention to your message?  Of the individuals who do pay attention, how many will be able to recall the name of the book by the end of scheduled program they were watching?  And finally, of those how many will think to buy the book the next time they’re out shopping at a bookstore? There’s a strength in online views that television views can’t match.  Online videos can be watched again and again at the viewers option.  They can be bookmarked for easy reference and to share with others.  Motivated viewers can link directly to an online store and purchase the book immediately. 

All this can be summarized by something I discussed in an earlier post:  television views deliver quantity views; online delivers quality views.  Each medium has its time and a place. The secret is knowing which is best for your book when it matters.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers


up and down graphMonitoring the effectiveness of a book video campaign is essential for a variety of reasons.   First, it is exciting to watch the view count rise and see which sites the video is doing well on.  Second, the analytical information we monitor is actionable.  The video view count provides a sound basis for monitoring a video campaign and making informed decisions about marketing and promotions.  We can supply clients with up-to-date view counts in an easy to understand graph.   But this is just the beginning. From the video views we can establish a benchmark, which is very important.  This allows us to easily compare the progress of several videos at once and see how a video is performing relative to others of the same genre.  If one of our videos falls under our established benchmark, we can take action to bring that number up to expectations.  We can add more distribution, send out more bulletins about the video or create a blog that highlights the video in order to attract more views.Many have heard the old saying, “Only half of all marketing works. You just don’t know which half.”  Through experience and benchmarking you can come up with a pretty accurate formula for the performance of your marketing or promotional efforts.  By using emerging technologies, watching trends and applying educated intuition you determine reasonable probabilities for which efforts are most likely to be successful.Let me demonstrate this with a case study.Seven months ago we created a video for an author’s novel entitled Xen.  The author was happy with the product and the distribution.  Though that particular marketing campaign had ended, we kept the video available online for an extended period of time so new viewers might continue to discover it.  (This is something COS routinely does with client videos.)A couple of weeks ago I was monitoring our uploads. Included in the information that I get on a daily basis is the list of our most viewed videos on a given site.  I noticed that more than one of our sites listed Xen in the top 5 of “most viewed” videos for that day.  Keep in mind that this is a seven month old video.

I found it unusual for an older video to make out top list, but was even more surprised when this was repeated the following day. At that point I knew there had to be something driving the renewed interest in the video.  I called the author’s agent and told her about my observations.  I told her that I knew they were doing something because the video views spiked beyond our standard benchmarks.  The agent was thrilled to hear the news!

The book is about a future utopian society run by women.  The author had spent a week visiting universities and colleges, talking about the book to students and faculty, and suggesting that it be used in the school’s curriculum.   The college students, who represented the target audience for the book, were intrigued enough to look it up on the internet.  They also found the video.  They actively searched out more information about this book.  The combined effect of the speaking tour and a well targeted book video, inspired the student to take action.

Did it result in sales? In this case it did.  But, even if it is not possible to correlate sales with the event or the spike in video views, it was nevertheless successful and effective in motivating an audience into seeking more information about the book.  The more engaged a potential customer, the more likely a sale.

looking at analyticsFor example, if a client has specified a date for a special event and the campaign is geared toward this event, we can monitor through daily, weekly or monthly video views how active their campaign is as we near the event.  Should we see a dip in views right before the event, we can make decisions to help get views up, thus ensuring that the event date stays fresh in the minds of the online public.  We might have the client do a blog or a press release, or we may do one for them. We can ask the client to send out a newsletter or make a special announcement on their online groups.  We can refresh the campaign right before the event.

These are just a sample of the ways that authors and publishers can use analytics to get more from their book video marketing campaigns.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers


It’s hard to sell something creative when most creative is subjective. Recently we did an online survey of our videos. We chose one video from each of our editors and created a survey.  If you ever want to do a survey of your readers or clients, Survey Monkey is a very valuable service.  We use surveys as one part of our quality improvement and assessment commitment.  It was interesting to see that so many people participated and there was such variety in their opinions.  Something we discovered that was interesting was that many of our participants, which were made up of readers and booksellers, were most influenced by the genre of the video.  Overall, each of the videos did well, but there were opinions that conflicted over music and visual elements.  The video that had the worst marks was also the video that 80% of the participants voted the as the best video. It was almost as though they were harder on the video they thought was the best.It made me wonder how this could happen.  It all came down to the preference of the viewer. Not just the quality of the video, but genre of the video was most important overall.  So, one can conclude that, if someone doesn’t like a video, it may have nothing at all to do with how the video looks or what the message is.In 2003, when Borders Group put the first book trailer, Dark Symphony, up on their site, no one really knew how book trailers would eventually turn into a market of their own.  Now that they seem almost commonplace people see them less as a cool novelty and more as an expected entertainment or advertisement.  With the newness wearing off people are becoming more critical and demanding of quality and clarity.  Slideshows slapped together with text taking up the entire screen is not going to be acceptable anymore.  More and more people are turning to professionally made content.  Not only are authors and publishers turning to professionally made content, but so are distributors of online content.The book trailer market has become established.  With growing online demand for entertainment and news, the book video market has solidified its place in most marketing campaigns.  There is a shift in 2008 from just having a book video to maximizing the effectiveness of book video. Distribution and analytics are the name of the game now.  If you aren’t a major player in those categories, you aren’t looking toward the future of the market.geographic infoDistribution doesn’t just mean uploading to YouTube, MySpace and the like. That’s now expected.  Back in early 2006, we were impressing people with our 10 distribution sites that went with each product. Now, in 2008, we have well over 200 distribution sites and have branched out into genre-specific placement of video.  You must realize that if everyone is uploading to the top 10 or 20 video share sites, then your video is now in competition with thousands of others. It’s not just competing with other book video, but with other online video entertainment.  Either you need to somehow grow your own YouTube-type sites, or start partnering with specialty sites that will take your video as content. You need to investigate online content provider companies that will send your content out to entertainment sites like SciFi Channel or Oxygen Network.

Analytics are going to be key in 2008 as well. `What are analytics?  Analytics is the measurement and analysis of how something did, in this case, online video.  This includes information such as: who is watching the video, where they were referred from, how long they watched the video, and whether they shared it?  Demographic and geographic information can be important for many reasons:

  • Knowing if your book is read more by men or women can help you determine how to develop the look of your website
  • Knowing that your video is very popular in a particular state or city can help you determine where to do a book signing or what booksellers you need to become more friendly with
  • Knowing what state or city your video is popular in can help determine where you should do media buys

demographic chartingThere are more reasons why this information is important and a variety of ways to utilize the information for future campaigns.  Targeting your audience, localizing your target and being able to pinpoint your best opportunities for sales in a given area is going to make your marketing budget dollar work harder for you.  After all, a book video isn’t designed to get hits on YouTube, it is designed to sell books. When you can do both, then you have an effective marketing tool worth investing in.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers


Broadcast Advertising:  The Pros & Cons

There’s something good to be said for different marketing endeavors. Companies spend millions of dollars every year for television broadcast advertising. Why? Because broadcast advertising on television takes their ads into the homes of hundreds of thousands or even millions of people. The shear number of potential viewers makes television advertising desirable.

broadcastYou can do national advertising to get in the great number of viewers, so you can go regionally or even locally to be more target specific. There are choices in how you utilize television advertising. You just need to know what your market can bear, who your target audience is and what your budget can get you.

Television advertising has historically been the king player of advertising and where most advertisers spent the majority of their promotional dollars. It is still an effective way to advertise, but advertising has evolved, so the rules of yester-year don’t necessarily apply now.

TiVo and DVRs are the downfall of television advertising as it once was. Commercials were presented to viewers and unless you left the room, you were subjected to them.  Not anymore. Now you can fast forward through those pesky commercials and many people do just that.

Only advertisers with large budgets could afford to pay for television media spots and have their commercials play on TV. Even now, national commercials are very cost prohibitive unless you have a huge marketing budget.

You have no way of knowing how many of those potential viewers actually viewed your commercial whether you played it nationally, regionally or locally. If sales spiked in a region in which your commercial played one could contribute that increase in sales to the television campaign. But, national commercials are harder to pinpoint ROI. Most companies paying the big bucks for a national television campaign are also putting ads in magazines, newspapers, online ads and radio. So, which of these elements is causing an increase (if any) in sales? How do you know that you’re getting what you paid for?

Broadband Advertising:  The Pros & Cons

Utilizing the internet to advertise a product or service has taken a large chunk of marketing dollars. As more and more people turn to the internet for entertainment and information advertisers follow.

There are two main ways to advertise on the internet. There’s direct advertising in which you create a commercial, banner or static ad and pay for placement of that ad. Then there is indirect advertising where viral videos are king, but you can also use blogs, online groups/clubs, social networks and even user-generated news sites. You need to know ahead of time which, direct or indirect advertising, that you want to use for a campaign.

Once you determine what kind of advertising you’ll do, you need your creative and a plan. Where will you distribute your creative? How will you track its effectiveness?

You can track the effectiveness of either a direct or indirect campaign. If you’re paying for placement of an ad you should be given a stats report from whoever you placed the ad with. For example, when I place an ad with USA Today online, they follow up by telling me how many people clicked on the ad. Since the ad is sent out via email I’m told how many people actually opened the email. So, whether or not someone clicked on the ad, I know how many eyes saw it. For indirect ad placement on social sites or with viral video you can see how many people engaged with your ad. If your ad was a blog, you can see how many people read it or commented on it. If it is a viral video you can see how many people watched it, commented on it or shared it.

Another good thing about indirect online advertising is that it is around longer than other types of advertising. So, if your product or service has any time constraints then indirect advertising may not be for you. But, if you have a book coming out that will be on the shelves for a while then indirect advertising is great! Compared to a print ad that will gone in a month or even a day, your online ad will be around for a year or more on whatever social sites you put it on.

There still seems to be a learning curve in how to best utilize broadband for advertising. Privacy issues are now at the forefront of the news as MySpace offers to place ads on MySpace pages according to what that MySpace users watches, blogs about or highlights on their MySpace page. MySpace is accumulating data about how users are using their MySpace site and offering advertising placement according to that usage. The internet has been historically a place where people can come and search for what they want, say what they want and do what they want without worrying about privacy issues.

When ads are put on social sites the company placing the ad there can’t be assured that their ad won’t be placed next to an undesirable video, something that might go against their brand.

People on social sites lie about their demographic information. So you can’t use demographic information to target specific markets, you must use other methods to ferret out what these users really want. MySpace can monitor behaviors of viewers instead of giving out demographic information. Amazon does the same thing in monitoring behaviors and then sending ads to viewers according to what they last purchased, searched for or clicked on.

Be Aware of the Differences

television setsYou can’t really look at broadcast and broadband advertising in the same way.  Broadcast advertising is measured and priced by impressions, the number of people who may potentially see the commercial.  Magazines and newspapers also use this method.  Here you’re going for a greater outreach to a very diverse group of people.  You’re playing the odds. Of one million people who see this commercial, how many will buy the product or service because they saw it on TV?

If you’re looking to build brand awareness, then multiple ads throughout the year to the most people possible is the way to go.  But that’s going to cost, and generally, you get what you pay for most of the time.

Broadband is more about engagement.  How long did the user stay on your site? Did they watch the entire video? Did they comment or send it to a friend? Did they blog about it or put the video on their own site or blog? Broadband is about building and strengthening relationships where broadcast is more of building popularity through shear numbers.

Symbiotic Advertising

Can you have the best of both worlds? Absolutely!  The great thing about the growing popularity of online advertising is that it has caused the cost of broadcast advertising to go down. That and new technology that allows for digital commercials to be made broadcast quality has relieved a lot of boundaries to television advertising. For $1,500 we can get a 30 second commercial played on Lifetime, A & E and SciFi Channel about 200 times throughout the a week. Since we specialize in books we only suggest advertising that first week the book is out if you’re looking to make one of the bestseller lists. But, if you looking to brand yourself you can stretch out your advertising calendar. Again, it goes back to knowing what you want before you get started.

We always put the client’s URL on the end of their commercial. We want people to see that website address. We go for the bigger numbers (popularity) by broadcast advertising, then go for strengthening that relationship by getting those people to the web.

Grouper pic smallIt’s a well known fact that the more someone sees your commercial or the cover of your book the more likely it is that they will retain that information. People are seeing the book on television then seeing it when they log in to MySpace or visit their favorite online site. The great thing about that is that person is sitting there at their computer where they can easily impulse buy. If they see it on TV they may recall it when they walk into the bookstore and see the book in a display or on the shelf. You’re getting the best of both worlds now.

You can go a step further an include a press release online, either paid for like PR Web or TransWorld News or user-generated such as Gather.com or Newsvine.com. The people looking for online news may be different from those watching TV or visiting social sites. Your broadband advertising can reach out to a lot of people who are actually looking for what you’re talking about as opposed to someone at home on the sofa who is subjected to your commercial and may or may not care about your topic.

You are always in a better position of power, or control, when people come to you. That’s the beauty of broadband advertising. They already are interested in what you have to say or show. Of course, if you can afford showing your ad to a million people through broadcast advertising, well, who wouldn’t want that?

There’s a time and a place for everything including advertising choices and opportunities. Know your product, your budget, your target audience and your desired outcome. Then, and only then, should you attempt to make your advertisement

Next time we’ll take a look at a case study that utilized both broadcast and broadband to see how that advertising campaign went.  Read more on this topic and leave your own comments.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers


The pace of technology leaves many of us struggling to keep up.  So it’s not surprising that sometimes we find experts contradicting each other when it comes to predicting where a technology trend is headed.   I recently found a couple of articles from reputable sources that might seem, at first glance, to have conflicting views on the direction of online promotion and advertising. 

The first article, Online Videos Attract Broad Audience,by Mark Walsh in Online Media Daily, contends that online videos are attracting a broader demographic, while the other article, Internet Expands Reach, But Narrows Vision, by Diane Mermigas, claims that internet promotion and advertising are narrowing the scope and vision of online video.  After reading both articles, I realized they don’t represent opposing viewpoints.  The demographic for online video use has indeed expanded beyond its original base of the young and tech savvy.  Now viewership runs the gamut to include professionals, housewives, seniors, hobbyists, and researchers, with participation by individuals of all ages and backgrounds.  What are they looking for?  Most indicate they want to be entertained.  What they are notlooking for, as you might guess from the popularity of TiVo and DVRs, are advertisements that interrupt their online entertainment experience.

girl-mad-at-monitor.jpgWhat are we doing about giving them what they’re looking for?  With new online marketing technology we’ve figured out how to track and predict the behavior of online users.  Amazon.com does it with great success and the new Borders site scheduled to launch next year also has the capabiity to remember customer preferences.  Search for books on fishing and soon Amazon is sending you emails saying “From what you looked at (or bought) previously we thought you’d like this…” and they suggest a book on fishing.  Providing customers with tailored recommendations in areas where they have indicated a preference has proven to be a useful and profitable service.  But the practice, if carried too far,  risks excluding topics of potential interest that aren’t a perfect match to historical behavior?  There is a danger that sophisticated new recommendation technology and the need to sell using behavioral marketing schemes could prevent new products from succeeding and frustrate customers.

We need to balance the narrowing effects of behavioral targeting and recommendation software found on many bookstore sites with an approach that simultaneously reaches out to new market.  I have found that social sites can help in this regard.  I participate in online social sites to learn what interests the individuals there and discover what groups are active when considering whether to make it a distribution venue for our book videos.  I believe that thoughtful distribution choices, guided by human experience, observation and judgment, offers our authors a way to reach their core audience, while still exposing their work to new groups beyond that core market.  Distributing book videos so they can be found through general searches vs. being served up exclusively through behavioral marketing systems ensures they will reach a broader readership.

shopping onlineEvery new technology present us with challenges as well as opportunities.  Behavioral marketing and recommendation software have made it possible to precisely measure and respond to audience preferences.  But it has an inevitable narrowing effect on choices presented to customers.  Online social networks offer us the opportunity to find new audiences and expand readership.  Used together, they act to balance each other and create a powerful book marketing mechanism.


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book vid lit iconSheila Clover-EnglishBook Vid Lit

by Sheila Clover-English

Sheila Clover English, the CEO of Circle of Seven Productions, has been a pioneer
in book video production, marketing and distribution for authors and publishers


Book videos are becoming a popular and accepted form of book marketing.  During the past several years, I have produced and distributed many book videos and found them to be potent devices for attracting readers and selling books.  But authors and publishers who venture into this new realm need to understand a few things about web marketing in order to use this new tool effectively.

Book Videos are Objects of Desire

First, book videos work because, unlike the advertisements we are used to from the print or broadcast media, they are objects designed to be found and consumed as the result of intentional searches.  By this, I mean that individuals find book videos because they are searching for information or resources related to a particular topic or interest.     The very fact that an individual found a book video as a result of their own searching means the odds are greater they will watch it - and if they find it compelling, that they will buy the book. 

For example, if an individual likes cave pearls and this is their hobby, they might search on the term “cave pearls.”  They may look on YouTube they may look for blogs about it.  When they do they will find the book Pearl Jinx by Sandra Hill. It is a story about people hunting for cave pearls.  “Did you say cave pearls?!  Wow!  I love cave pearls!  This might be something totally new for me!”  Now, they have found a book about their favorite topic and are more likely to take that next step and buy it.

This is what makes book videos such a useful online marketing and branding tool for books.  They turn up in searches for book trailers.   But, because they are tagged, book videos  can also be returned in general search results related to the topic of the book.  Book video can nurture potential readers or bring established readers to topics they want to read about.

Use Tags to Help Readers Find Your Book Video

Tags are descriptors attached to the videos you upload to online video sharing sites.  They are important because they help people find your video.    Tags are a form of “meta data” - information about your book video that search engines incorporate when they index your content.  When an individual types a keyword or phrase into a search box, this meta data is what the search engines uses to return search results.  For this reason, tags are very important.

There are three types of information you should provide when you upload your video online.

  • Title. Make the title clear.  Be sure to include your name as well.  People will be able to find you according to what’s in your title.
  • Description.  Don’t let your description become a commercial.  Make it exciting. My experience with producing and marketing book videos shows that this is how you get people who are interested in your topic to pick up your book.  Use the description to write what is exciting and unique about your book!   Some video sharing sites limit the number of words so choose yours carefully. If you use your name in the title, don’t waste your limited description copy to repeat it.  Keep your description topic focused, not just genre specific.  Give the reader a feel for the story. 
  • Tags.  Tags are another device to help people find you. Tags allow individuals to search for your book video using specific words.  Again, there is no need to include your name as a tag, if it is already in the title.  If people want to find youspecifically they will go to your website.  Often, the number of tags you can use is limited.  Use terms that capture the essence of your book without being so popular that your listing will appear near the bottom of results from searches using those terms.  For example, you would probably want to avoid using terms like “love” or “sexy.”  Try out your tags in searches on the sites where you are planning to upload your video.  The number of items returned by the search query will let you know how much competition there is for thosee terms.

Using the descriptors above help people find you whether the topic of your book is vampires or football.  Note that I always include the word “book” or “novel” in the tags just to be sure people understand what they are looking at is a book.

Tell a Good Story to Energize your Web Marketing

People looking for what you have to sell are more likely to buy it.

How do you use a video to get people interested in reading your book?  In my experience, the answer is straightforward. Make good videos.  Make the videos appealing, exciting and entertaining.  Perhaps the best advice to give here is:  don’t use a video to sell your book.  Use it to sell your story and make potential readers want more.  For example, give them one sentence that asks a question they will want answered:

“If you could go back in time and change 20 seconds of your life, what would it be?”

That’s a great question to make someone read on or go to your website. That puts them in the story. What would they do is what they will be asking themselves.  It lets the viewer invest themselves in a story they don’t know about.

Or you can make a statement that ties into other entertainment that might resonate with the viewer.  For instance:

“James Bond meets the Geek Squad in this romantic comedy about spies, planes and TV sci-fi programs.”

That let’s your viewers know about the story and still makes them wonder what in the world that could be about?

Think bigger when you market your book.  Get your readers to buy into your story. Get them to want to invest their time in it by investing themselves (asking questions, hitting a topic they already like).

Most books are targeted at a specific readership.  The internet offers the best way to aggregate niche audiences.  Make it easy for them to find you, then make them want your story.


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